The end result will be a low-rez vehicle that will be usable in most game engines available today. Painting will take place using 3D Coat, a software package that allows for the rapid texture painting required of many production studios, with final edits taking place in Photoshop. Beginning with modeling in Maya, we will cover some basic modeling principles before moving into preparing UV’s for painting.

In this beginner level tutorial we will focus on the creation of a simple vehicle for mobile or low resolution games with a stylized, hand painted ascetic. Paint great, stylized textures using 3dCoat and Photoshop Model and UV a low poly game asset for Mobile Games using Maya )Įnjoy watching! Sincerely, Andrew Krivulya aka Charly.Learn to mode, UV, and texture stunning, low resolution game assets with a stylized, hand-painted look! License: Creative Commons Attribution (https: ///licenses /. Subscription button, and the button of my stores.Ĭomposition 'Jellyfish in Space' belong to the performer Kevin MacLeod. Overview levels of concave and convex parts.ħ:08 - 17:01 - Drawing layers of concave and convex parts.ġ7:01 - 17:08 - Export color map in Photoshopġ7:08 - 17:30 - Fill all the layers of white and an explanation of the reasons for this action.ġ7:30 - 19:00 - Work with normal maps in NDoġ9:10 - 19:57 - Check map in Marmoset Toolbag 2ġ9:57 - 21:17 - Download it in 3d Coat and analysis of materials with PBR.Ģ1:17 - 23:17 - Fixing errors of symmetry in ZbrushĢ3:17 - 23:57 - Ending. Greetings and download additional materialsĢ:23 - 5:30 - Overview of tools for creating color maps for NDoĥ:30 - 7:08 - layers of information, which are necessary for a color map. In comments write requests, questions, lesson topics that you would like to see in the new releases, etc, etc.Ġ0:20 - 2:23 - Introduction. When you press 'X' to the inclusion of symmetry often occurs in the future failure of this symmetry, ie, display point may be on different sites. Hello everyone! I continue to lead the Q & A section, and in this video I answer the questions from Eugene Drozdnika:ġ) Create a HQ seams for the sci-fi characters and techniques and then baking them in the normal map without loss of quality.Ģ) The decision to zbrush symmetry problem.

Creation of HQ normal maps for Sci-fi objects.

3d coat vs zbrush